Small oil, about 14" x 20". Having spent most of my school holidays working on a farm, scenes of animals/machines/tools/humans working within a landscape always appeal to me. There is something very beautiful about the ploughhorse image - it combines magnificent strength, the purity of physical animal exertion, it demonstrates a cooperation between animal and man and captures that brief period in history where man, animal and machine were linked. The image is always nostalgic in the sense that those times that have passed are thought to have been somehow better...although I doubt that at the time the farm labourer regarded slogging under the hot sun behind shires that strained their control, required grooming, feeding, mucking out as 'romantic'.
I wanted to create some form of tension in the piece, which I achieved by juxtaposing the plodding pace of the horses against the onrushing, threatening storm.
I put a mixture of color down [oil paint], then went back in with a fan brush, pushing the paint upwards. I use liquin as a medium which helps speed up the drying, so, in this case, I went back immediately with the fan brush. Depending on what effect you want to achieve governs the time you allow the paint to sit. WIth liquin, the paint starts getting more difficult to move around after about 3/4 of an hour. If you have any other questions, please ask!
with the ground? did you paint every grass leaf. wait a bit then use dry brush over the top to blend?
if so how long do you wait? a caple of hours. im doing a sim painting. just need help?